Wednesday, November 20, 2019

Director/producer Andrew Hevia on Leave The Bus Through The Broken Window

Used with permission by Andrew Hevia/Leave the Bus, LLC You’d be forgiven if you sense director Andrew Hevia...

Son of Saul, a grim out-of-body experience at Auschwitz — a...

Son of Saul, the feature debut by Hungarian director László Nemes has an audacious premise: placing the viewer in the shoes of a member...

Oscar-nominated A War presents subtle anti-war message — a film review

The Oscar-nominated film from Danish writer-director Tobias Lindhol, A War (Krigen) probably stands as the most subdued entry into the mix of foreign language films...

Florida Film Critics Circle announces nominations for Best of 2017

Today, the Florida Film Critics Circle announced who they will be voting for in the best of cinema for 2017. These are the choices...

Filmmakers Charlie Kaufman, Duke Johnson on meanings of Anomalisa and awards...

On an uncharacteristically wet and chilly Tuesday morning in Downtown Miami, filmmakers Charlie Kaufman and Duke Johnson sit at a round table easily large...

The Salesman tests morals limits of a good husband — a...

It’s easy to consider hypothetical reactions when one is confronted with moral quandaries in the movies -- especially in Hollywood movies. Good and evil...

IndieEthos Insiders Tour 3: Toni Erdmann uses humor as lifeblood —...

Below the surface of its brilliantly timed screwball humor, the German Oscar contender Toni Erdmann holds a tender story of staying true to family....

Phantom Thread comes close to dominating International Cinephile Society best of...

This critic ends his duties in the 2017 cinematic awards season with a second year participating in the 15th International Cinephile Society poll (getting me...

Oscar preview: Borscht, Moonlight and ‘the power of Miami’s filmmaking community’

The 10th edition of the Borscht Film Festival winds down this Sunday with great anticipation (read a report I wrote on Animal Collective’s appearance...