In honor of Record Store Day, which takes place this Saturday, April 18, today’s post is dedicated to the best films that feature record stores or vinyl as a crucial part of their storytelling. At Independent Ethos we take vinyl seriously and love independent record stores, as one of those places that are a necessity for the cultural enrichment of any neighborhood. One of the most fun days of the year, Record Store Day is an opportunity to celebrate those independent record shops that many seem to take for granted most of the year. The day is filled with events, exclusive releases, and a gathering of people that appreciate vinyl and independent music. In short, if you have not yet experienced a record store day click here now, find your nearest independent record shop and get out there!
The link between film and music is undeniable, it can change the meaning of a narrative eliciting all kinds of emotional responses. These five films present characters who are deeply invested in music themselves, as it makes an important part of their persona. As someone who spent countless hours of her idle youth in record stores, it’s a joy to see that many others wonder what happens in that place, how our life stories cannot be told in the absence of those objects of affection — yes, I mean vinyl albums — and the music on them.
High Fidelity (2000)
A classic now, High Fidelity stands out thanks to its brilliant character development. The sardonic and comedic elements are modestly familiar to anyone who has made their record shop their second home. Rob (played by John Cusack) is a record store owner reeling from a breakup. His sadness comes with a soundtrack, and many an introspective conversation about what went wrong, how to get the former lover back and elaborate discussions about music minutiae that informs that. In short, a relatable tale that will leave you satisfied and amused. A perfect companion to an afternoon of unwinding after you unpack your record store finds.
This is Spinal Tap (1984)
The mother of all mockumentaries, This is Spinal Tap documents the fall of the eponymous British rock band, as the band arrives to America to tour their soon-to-be released album Smell the Glove. To the surprise of the band, the album is released with an all-black cover, as the original cover idea, a naked woman on a leash with a gloved hand in her face, proved offensive. It’s just one of the elements leading to the unraveling of the band and many more deftly funny moments in the film, like when the band goes to a signing where only black Sharpies are provided.
The film relied on comedic improvisation, but had at least one hilarious moment of what comedians call corpsing, where they break character to laugh at a joke. Early in the film, the band sits down with documentary filmmaker Marty Di Bergi (a deadpan performance by the film’s director Rob Reiner), who probes the band members on their feelings about former album reviews, and the band’s history. For Shark Sandwich, one of the band’s earlier albums, the two-word review “Shit sandwich” catches Christopher Guest off-guard, as he can be seen laughing at the idea. I could go on about the merits of This is Spinal Tap, one of my most-watched favorite movies. It will be the perfect companion to your Record Store Day exploits, and really any day of the year.
Antoine and Colette (1962)
Antoine and Colette is the second installment in the series that follows the life of Antoine Doinel, of 400 Blows Fame. The film was part of Love at Twenty, a series of short films produced by Pierre Roustang. When we catch up with Antoine in this short film, he lives on his own and works at Philips Records, first packaging vinyl and later manufacturing each record by hand! The short film explores Doinel’s first love as he falls fast and hard for Colette, who he gets to know by stalking her with regular visits to a concert hall. They get to know trading books and, of course, records. In this short film Truffaut manages to capture the nostalgia and melancholia associated with that one first love, as well as the restlessness, yearning and infatuation that are part and parcel of that first love. A true gem, proof that a sequel can also be a great cinematic experience and how two people can connect through music.
Empire Records (1995)
In Empire Records, a cast of Gen-Xers who work at a record store experience a crisis as they are about to lose their jobs when the store is sold to record store chain Music City. The film encapsulates 24 hours of the lives of these store clerks as they go on about their adolescent what-the-future-may-hold indulgent conversations. The best thing about this movie is how it captures the quirky details of these music-centric characters, like the sardonic Lucas (Rory Cochrane), who doles out unrequested music advice to potential customers that might look for rock but should be listening to jazz, based on their violent tendencies.
In Once, the story does not necessarily revolve around a record store, but it culminates with a recording. The film tells the story of a street musician (Glen Hansard) who meets a Czech immigrant (Marketa Irglova) that challenges his status quo. The exchanges between them are the most powerful when music is involved, as if for musicians language is a barrier and music is the best way to convey meaning. The two fall in love by just being themselves, the feelings are so visible and so impossible that it makes for a bittersweet ride. A surprising film for its subtlety and power. It may make you pause and wonder about the story behind the making of that killer independent album in your treasured collection.
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Where are you going on Record Store Day 2015? Our favorite local record shops we plan to hit are Radio-Active Records in Fort Lauderdale (the best “just-in” bin in the region) and Sweat Records, who is celebrating 10 years tomorrow with a 48-strong line-up of bands playing into the night. Click their names for details.