The other day we drove up to Orlando from Miami for a live show by Phoenix. Though not as impressed by their latest album Bankrupt!, expectations for a great live show ran high. They had already impressed during their first show in South Florida a few years back (Phoenix pack arena-sized show into Fillmore theater; Oct. 29, 2010). This show, at the House of Blues, just like the Fillmore show, would sell out. This night’s performance, though not as stagey as the Miami Beach show, still impressed. The band breezed through its repertoire with its usual spunk and warmth. It even felt rather brief.
It began with a short set by Chicago ’90s grunge survivors Urge Overkill. There was a time when these guys would headline these venues about 20 years back. It was interesting to watch them live. With rather ebullient ease, they played their hits from back in the day, like “Positive Bleeding,” “Sister Havana” and their cover of “Girl, You’ll Be a Woman Soon” made famous for its presence in Pulp Fiction. There was also a new tune. But, beyond five or six seemingly impressed attendees, the interest in Urge Overkill seemed polite if any at all. The group’s music is still rather uneventful barroom rock that chugs along on rudimentary hooks. One guy paid more attention to his video game than the performance (see image below).
Phoenix would go on at about 9:45 at night with the first single off the new album kicking off the lively set. The sound immediately revealed that this concert was going to sound amazing, from the quality of the performance to the clarity of the sonics. Even though the set list was weighted by lots of new material, the guys brought so much life to their music with their presence (as last time, dual drummers, too). It was a zippy set. The band mixed together several songs as medleys. At one point singer Thomas Mars shared his joy at being in such an intimate venue after all of the band’s earlier festival dates. Here’s one of the band’s biggest ever hits thanks to a car commercial:
They did something interesting with the epic “Love Like a Sunset,” mixing it with the title track of the new album:
The crowd gave them back lots of energy with lots of raised hands throughout the set, and quite literally supported Mars during the band’s closing number, “Rome” and a reprise of soaring section of “Entertainment.” Between the two songs, he appeared at the back of the pit and crowd-surfed his way to the stage, a classic Mars move he pulls at the end of Phoenix’s shows.
Long Distance Call
The Real Thing
S.O.S. in Bel Air
Sunskrupt! (A combination of “Love Like a Sunset” and “Bankrupt!”)
Too Young / Girlfriend
Trying to Be Cool / Drakkar Noir / Chloroform
Countdown (Stripped-Down Version)
Playground Love (Air cover)
The group has dates scheduled for the US and Europe scheduled through the end of November. See what’s available here (that’s a hotlink).