Deeply moving film from Basque country, Flowers, makes exclusive U.S. commercial run in Miami area


posterIf you live in or near Miami, do not miss your chance to see Flowers (Loreak — the film’s official site is only in Spanish or Euskara) on the big screen. It premiered here at Miami Dade College’s Miami International Film Festival, and I missed it (A hit and miss affair at boldest Miami International Film Fest yet — a MIFF 32 recap). It comes from the Basque country of Spain and is in the region’s language of Euskera. It has no distributor, so it’s not possible to point any other parts of the U.S. that might host it, but I hope my review will convince some followers of the Independent Ethos to seek it out. Maybe you will want to recommend it to your city’s film festival or your local, adventurous art house exhibitor.

The film explores love beyond what many are accustomed to from more mainstream films. Usually, the easy way to do it is to treat love with romantic sentiment and dwell on the lusty side of things if not what some would call infatuation or puppy love. But for those that have experienced the dynamic, more profound range of loves (in other words, real life), it is a much more complex thing. I’ve written about several films that capture those difficulties. Sometimes there are documentaries that do it well (Film Review: ‘Cutie and the Boxer’ looks beyond art for the heart of a long-term relationship) but more often these kinds of films come from overseas (Film Review: ‘Blue Is the Warmest Color’ and the pain of loving).

It’s difficult concept to capture on film as well as to digest as an audience member, but writer/directors Jon Garaño and Jose Mari Goenaga, working on their second collaboration, find a way to capture it and make it easy to engage with, on top of that. Their film recalls a less wordy version of the Polish master Krzysztof Kieslowski. It’s that good.

Because this a special Miami-only run, Miami New Times hired me to write the review. You can read what I have to say about the film after jumping through the alternative weekly’s logo below. I wrote a rather passionate piece right after watching this film one morning. I was blown away:

NT Arts

On a side note, since we are on the subject of programming at the Coral Gables Art Cinema, today is the last day to catch Güeros (Güeros: A coming of age in an ode to Mexico City — a film review) and Saturday begins the 35mm retrospective for Abdellatif Kechiche, whose film, Blue is the Warmest Color, I reference above. I have an overview of his oeuvre in the Miami New Times. Details here.

Hans Morgenstern

Loreak runs 99 minutes, is in Euskera with English subtitles and is not rated (it has some cursing and a couple of disturbing images involving death). It has its U.S. premiere theatrical run at the Coral Gables Art Cinema beginning this Friday. The cinema provided a screener link for the purpose of my review. Images are courtesy of the film’s official website.

(Copyright 2015 by Hans Morgenstern. All Rights Reserved. This material may not be published, broadcast, rewritten or redistributed without permission.)


  1. Reblogged this on Independent Ethos and commented:

    For those who missed it when it had its U.S. premiere theatrical run at Coral Gables Art Cinema, Loreak now has a distributor and is Spain’s entry to the Oscars. We were one of the first to review it (with praise– and it still registers on this year’s best of 2015 for this writer). Below you will find a repost of a link to Hans Morgenstern’s original review, first published in the Miami New Times (jump through the link at the end). It is returning to South Florida this weekend in Miami-Dade at The Bill Cosford Cinema (see schedule here: and in Broward County at Cinema Paradiso Hollywood (see schedule here: There is one special screening planned at the Broward art house, on Sunday, Dec. 6, at 3:30 p.m., where the film’s two directors will Skype in for a Q&A session. Here’s a direct link to tickets for that one:


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