It’s not often that I promote a project’s Kickstarter campaign, but there’s no denying my personal connection to the subject of Little Haiti Rock City (here’s a link to the campaign). Though I hardly know the filmmakers, director Franco Parente and producer Angel Eva Markoulis certainly share my sentiments for the bar in the Little Haiti neighborhood of Miami called Churchill’s Hideaway, which was once run by British ex-pat Dave Daniels.
Daniels, a former pal of the famed BBC DJ John Peel, could certainly be considered one of the original Miami hipsters. His anything-goes attitude to the musicians he allowed on stage even allowed me to get on stage to lash at guitars and sing with the preeminent local noise band the Laundry Room Squelchers, who have long had residence on Thursday nights at the bar. The group’s founder, the legendary Frank “Rat Bastard” Fallestra, was always happiest when the din produced made people leave the bar. That Daniels could not only allow that but continue to invite Rat back over, night after night for literally decades, speaks to the kind of man Daniels is.
Churchill’s has not only incubated the likes of artists like Rat but also musicians like Sam Beam of Iron and Wine (who I first discovered there). Interpol’s drummer, Sam Fogarino, reunited with his old mates in the Holy Terrors a few years ago after an Interpol show (it was the better show that night). Now, after 35 years of ownership, Daniels has sold the bar, and I could hardly avoid the howl of protest from many local musician friends (this show happened, and it was one for the ages). Of course, the local musicians and fans have been only understanding, but they also harbor a bit of dread that the place will just never be the same.
Parente also has that same feeling. He has already spent much time with Daniels since he started shooting footage for his documentary on a bar that he considers Miami’s equivalent to New York’s CBGB. “I’d like to think it’s about the legacy that Dave built or rather allowed to build itself. What most people don’t see is the community of artists, musicians and just regular people that have coexisted within that space in Little Haiti.”
“The story we’re telling of Churchill’s wouldn’t exist were it not for him since it just wouldn’t be the same,” adds Markoulis.
Local musician Steven Toth, a.k.a. Mr. Entertainment, who put together the tribute show “For the Good of Music/A Night for Dave Daniels,” epitomizes the many local artists who would have never found their voice were in not for Daniels’ openness. “Well, Dave has been like the coolest uncle ever, and we aren’t related,” he says. “He gave me and my band a chance when we may not have even been good enough. He encouraged us to play, always told me how much he loved my street performing, and pretty much never said no to any of my crazy ideas. What Dave gave to us was freedom and a home all in one.”
During his interviews with Daniels, Parente found some insight into what motivated Daniels to open his stage to pretty much anyone with an instrument of some kind. “I think it’s been his interest all along to watch people flourish and shed the armor,” he says of Daniels. “I know he’s a businessman and always has been, but he’s a businessman with a heart, and that’s a dying breed.”
The idea of the dying breed is also part of the urgency that motivated Parente to begin work on this documentary before he had all the funds necessary to complete the film. Now, he and Markoulis have taken to Kickstarter to finish their work. “It’s a monumental task to raise this much money with smaller donations, as opposed to large investors bankrolling it,” admits Markoulis. But she also offers a perspective that will make it easily feasible. “If everyone who stumbles upon our project page pledged the cost of going to the movies, we’d have our funding and be able to preserve a piece of music history.”
As of the publication of this post, they are halfway to the $79,000 required to continue their work, but they only have eight days to go. Markoulis says if everything goes as planned, they could have their film completed by next year. They also hope to get the new owners on the record, even though the filmmakers admit some of these owners have chosen not to reveal their identities, which goes to show just how intimidating it is to be seen as a replacement for Daniels. “We are in the process of setting up an interview,” notes Parente, “but it’s a transitional period and direct access to the new owners has not been easy to come by. They’re not sitting at the end of the bar sipping on cider like Dave did for so long.”
“We would really love to include them in the documentary and the future of Churchill’s Pub,” adds Markoulis. “Hopefully they will be willing to sit down for an interview with us.”
Despite the doubts that seem to haunt the new ownership by many, both filmmakers remain optimistic about them. “We stand by them and hope that they make positive changes to the place and that we as a community can have Churchill’s here forever,” Parente states. “The reason we are making this film is not to preserve the building, but what Dave and his way of doing things have allowed to go on and came from that building.”
You can read much more about the film, including more specifics about how the filmmakers plan to use the Kickstarter funds, by jumping though the image below to this article I wrote for Pure Honey, earlier this month:
If you live in South Florida, one of the best ways to experience this venue while supporting this film is by checking out a show this Saturday, June 28 (here’s the Facebook event page to join). There’s a $10 cover and all proceeds go towards the Little Haiti Rock City Kickstarter campaign. Bands slated to appear include:
-The PawnsShop Drunks
-Shark Dust Sisters (featuring members of Load, The Holy Terrors & Quit. Plus special guests)
-Mr. Entertainment (playing the sidewalk, like the old days)
Remember, even if you are not in Miami, you can donate. Once again, here’s the link: