Film Review [in 'Miami New Times']: 'Cubamerican' documentary walks a nice line between nostalgia and identity

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photo_6_3000x1688My latest film review was taken by the “Miami New Times” art and culture blog “Cultist.” It’s fitting, considering its subject: a group of people key to the culture of Miami: Cuban-Americans. In my many years living in Miami (most of my life), Cuban-American art and culture has come across as rather in-your-face and self-conscious.

I was therefore a bit cautious approaching the documentary Cubamerican when asked for my opinion by my editor at “Cultist” on this film. I was afraid the documentary would come across as preachy and self-righteous and disproportionately rounded. Instead, it ended up hitting all the right notes and substituted the usual angry bitterness I come to expect from Cuban art with a sense of melancholy and hope. It downright moved me.

I was amazed this marked José Enrique Pardo‘s debut as a director. Though it’s rather straight-forward as a documentary, his pacing and thoroughness show this is a man who knows how to put in the work to compose an engaging work. As a plus, the film also provided a clear history that informs the Cuban-American identity. It does not sentimentalize pre-Castro, mobster-influenced Batista Cuba. But the kicker are the men and women who have done so much for society, art and even sports by tapping into a unique drive they call viveza. Everyone can learn to be a better person from this documentary, no matter if you are Cuban-American or not.

The film’s U.S. commercial premiere is tonight in Miami. You can read the full review and see details of the screening today by clicking through the “Cultist” logo below:

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Up-date: I just heard Cubamerican expands into Broward County, at Fort Lauderdale’s Cinema Paradiso, for two nights, Saturday, June 22 and Sunday, June 30. The director will be present for a Q&A on June 22. Click here for more information (that’s a hot link).

Hans Morgenstern

(Copyright 2013 by Hans Morgenstern. All Rights Reserved. This material may not be published, broadcast, rewritten or redistributed without permission.)

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