Temper Trap visit Miami, read my interview and maybe get free tickets!

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So, a few weeks ago, I was hanging on the telephone waiting for Temper Trap’s frontman Dougy Mandagi (pictured above, center) to get on the phone. I was told he was in the shower, he was coming down the elevator and I got … bassist Jonathon Aherne (pictured above, far right). One would think, dang! But, no. Aherne was generous and insightful. The resulting profile was published in this week’s “Miami New Times.” Read it by jumping through the logo of the “Miami New Times” music blog:

Yes, the story focuses a lot on “Sweet Disposition,” that song from my favorite film of 2009, (500) Days of Summer. But I was curious about the effect of such a popular hit on an indie band now releasing records on one of the largest of major labels in the world: Columbia Records, which is owned by Sony Entertainment. It doesn’t get bigger than that. The label’s rep listened in on our conversation and told us when to get off the phone, but that’s how it goes. It did not stop me from asking polite questions about the psychological effects of— to put it simply— selling out, and Aherne seemed to have a healthy attitude about it. The band loves having a song as recognizable as “Sweet Disposition,” and you can expect to hear it live on their current tour for their new self-titled album. “There’s nothing wrong with that because we want our music to connect with people, for people to enjoy it,” he said. So here’s that song, once again:

Finally, the contest…

Now you’ve heard the song again, visit Independent Ethos’ Facebook page (yep, that’s the live link) and share where you first heard the song.

The band continues its tour beyond Miami at these following dates:

10/19/2012 Atlanta GA Center Stage
10/20/2012 Orlando FL House of Blues
10/21/2012 Miami FL Grand Central
10/23/2012 St. Petersburg FL State Theater
10/25/2012 Fort Worth TX Ridglea Theater
10/26/2012 Houston TX House of Blues
10/28/2012 Austin TX Stubb’s

Hans Morgenstern

(Copyright 2012 by Hans Morgenstern. All Rights Reserved. This material may not be published, broadcast, rewritten or redistributed without permission.)

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