Monday, September 15, 2025

We the Animals delivers honesty in director Jeremiah Zagar’s raw approach...

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Suffused in earthy atmosphere, director Jeremiah Zagar's meticulous yet breezy feature film debut We the Animals is a worthy adaptation of Justin Torres’ smart, savage...

The Little Stranger tangles with ghosts of the past and future

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Ghosts don’t actually exist, but the ghosts that haunt The Little Stranger are as real as can ever be depicted in a work of...

Nico, 1988 an end-of-life drama of washed up rock star

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There’s never been anything upbeat about dramas featuring protagonists addicted to heroin. The sad place where musician/model/actress Nico (born Christa Päffgen in Cologne, Germany)...

The Third Murder uses stories to subvert what may be true

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With The Third Murder, Japanese writer-director Hirokazu Kore-eda turns from his usual examination of family dynamics to something more nebulous. As much as the...

BlacKkKlansman explores racism in the ’70s to highlight its persistence today

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Besides it being a fine film, the reason BlacKkKlansman won the Grand Prix at this year’s Cannes Film Festival is as political a statement...

The Day After captures loneliness of being with other people

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As much as Hong Sang-soo’s latest film The Day After features people in conversation, hardly does a movie ever capture how alone people really...

Eighth Grade captures desire for acknowledgment with a dash of humor

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Despite having been directed by a comedian, Eighth Grade may stand as one of the starkest movies you'll see about entering your teenage years....

Surreal Sorry to Bother You takes no prisoners

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Sorry to bother you, but I’ll keep this short and promise to allow for some insight into the socially conscious, surrealist feature debut by...

Leave No Trace explores a drama of codependency with naturalism and...

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It has been eight years since Winter's Bone introduced Hollywood to Jennifer Lawrence. Everyone knows how that career has gone. In the meantime, that...

2001: A Space Odyssey 50 years later on 70mm still transcendent

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For all the writing I’ve done on the science fiction masterpiece that is Stanley Kubrick’s cinematic adaptation of 2001: A Space Odyssey (see the...