Paradise: Hope offers poetic capper to trilogy of humanist discomfort
For his final film in the “Paradise Trilogy,” Paradise: Hope, the most stunning aspect of director Ulrich Seidl's fifth feature film is that he shows...
Film Review: 'Escape From Tomorrow' can't rise to witty premise with...
A witty premise informs the low budget black-and-white science fiction / corporate conspiracy thriller / family dramadey Escape From Tomorrow. A flawed--- some might call...
Sigur Ros live review in which I confess to tearing up
When I wrote about Sigur Rós coming to Miami I made an off-the-cuff reference to fans who let the tears loose at the sound of frontman Jon...
Vinyl Matters: MGMT's bombastic self-titled psych-freak-fest delivers master moments in mixed...
MGMT continue to drift down the rabbit hole with the brilliant, if at times mixed bag, that is its new self-titled album. If you...
Film Review: ‘Gravity’ harnesses the power of uncut images to thrilling...
Movies like Gravity are the types of films routine visitors to the multiplex live for. Director Alfonso Cuarón's first film in seven years feels fresh...
Film Review: 'After Lucia' holds unflinching lens to bullying
A bold and important film debuted in Miami during the Miami International Film Festival in March that only recently found a distributor. The Miami...
Book Review: Marisha Pessl brings together Literature, Social Media and Film...
With her creative take on fiction writing, Marisha Pessl takes us on a journey of discovery alongside investigative reporter Scott McGrath. Initially not the...
Film Review: 'Cutie and the Boxer' looks beyond art for the...
There’s something gorgeous about a documentary on a notable art couple that can transcend not only their celebrity but also their art to offer...
Film Review: 'Blue Caprice' and the trouble with humanizing demons
Director Alexandre Moors has made a bold, if not challenging choice of subject for his debut feature film. In 2002, residents living in and around...
Film Review: 'Our Children' subtly reveals thin line between love and...
And the award for greatest downer of 2013 goes to Our Children (À perdre la raison). But the marvel of Our Children, Belgium's entry into...