Thursday, September 11, 2025

Alien: Covenant reveals the mean mortal streak of director Ridley Scott...

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When you consider the ending of Thelma and Louise (1991), the merciless violence of Black Hawk Down (2001) and the vicious comeuppance in The...

Director of One Week and a Day visiting South Florida

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Earlier this year I called Israeli writer-director Asaph Polonsky "a strong new voice in Israeli cinema." Well, now you can see him right here...

The Wall feels less like a movie and more an exercise...

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The Wall is an intimate, suspenseful war drama with a rather vicious streak. The thrills work, and director Doug Liman relies on the sort...

The Death of Speaking In Cinema with The Death of Louis...

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Last week, we "spoke in cinema" one last time at the Miami Beach Cinematheque. It was with the cutting-edge Catalan director Albert Serra and...

The Death of Louis XIV presents patiently beautiful portrait of death...

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Catalan filmmaker Albert Serra’s brilliant The Death of Louis XIV immediately establishes what it’s about without a single clear image of a human being....

Colossal is a creative idea turned into a colossal mess —...

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It’s very important to recognize that the Spanish filmmaker Nacho Vigalondo is making worthy inroads into Hollywood by staying original and true to his...

Raw presents slyly visceral warning about Puritanism — a film review

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Let’s start this review by separating the hype from the substance. A recent article by “The Hollywood Reporter” revealed several patrons at a Los...

The Lost City of Z presents duality of dreams via perilous...

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The Lost City of Z has a divinely ominous quality. A roving camera fitted with wide lenses mightily seizes upon expanses and man’s place...

After the Storm and growing up in the face of dreams...

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With After the Storm, Japanese writer-director Hirokazu Kore-eda continues to prove himself as one of the most sensitive observers of the intricacies in the...

Frantz reveals power of storytelling in buoying life — a film...

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Drawing inspiration from and even giving screen credit to Ernst Lubitsch’s 1932 film Broken Lullaby, François Ozon’s Frantz presents the deep effects of war...