Thursday, September 10, 2026

Miami International Film Festival

Whit Stillman and I reconsider my negative review of ‘Damsels In...

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In the second part of my conversation with filmmaker Whit Stillman (this is continued from: A cup of coffee in which director Whit Stillman and I...

Miami International Film Festival 31 on sale today for general public

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Today is the day tickets for films at the 31st Miami International Film Festival go on sale to the general public. The opening night was about a...

Watch the Sundance-selected, Miami-made short “The Sun Like a Big Dark...

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It's been a while since I first saw the short film "El sol como un gran animal oscuro" or "The Sun Like a Big...

A re-cap of a hectic half-attended, still impressive Miami International Film...

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The Miami International Film Festival has just wrapped up another year of quality film premieres. Film for film, it may have featured the highest-quality...

My Golden Days explores the distorting filter of time with keen...

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“I am not Ulysses. No nostalgia for my country,” says the anthropologist Paul Dédalus (Mathieu Amalric) to a lover in Greece. With a title...

The Nightingale makes revenge unsettling

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There hasn’t been a movie this year that has so consistently moved me as much as the violent, horrifying revenge film The Nightingale. A...

Lively Q and A made for interesting screening experience on Day...

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Though I only made it to one film yesterday at the Miami International Film Festival, it proved a memorable screening due to the fact...

Dheepan winds inner turmoil with tense intimacy — a film review

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Shadows obscure life throughout Dheepan, in the drudgery of scraping a living together from nighttime street vending to cleaning out dank common areas in a French...

The best films of 2015 … so far — by Hans...

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We are a bit past the halfway point, and the lists of what are so far the best movies of 2015 are already popping up. Here's...

Film Review: 'The Hunt' examines influence of the crime on judgement

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As one can expect from the director who made a name for himself with the Celebration, Thomas Vinterberg’s the Hunt (Jagten) feels like a brutal roller coaster...